Creative ageing is an urgent and fashionable topic, yet currently unsustainable Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles The myth of the general audience In her 2018 Philip Parsons Memorial Lecture, playwright Alana Valentine speaks about the power of the collective experience and those rare moments when a work of art becomes a conduit for spontaneous community expression. Top 3 tips for emerging producers (locked) Independent producers from Brisbane, Perth and Melbourne offer advice for those who are just starting out in the game. How verbatim theatre can keep history alive (locked) In retelling the long and often bitter campaign for gay law reform in Tasmania, the new production ‘The Campaign’ not only preserves history, it helps ensure its survival. ICYMI: this week’s arts news round up (locked) From a new art market platform to a commission to mark the national apology to Child Sexual Abuse, ArtsHub recaps the week's arts news. (Premium content) Premium content Gina Fairley Monday 1 October, 2018 Creative ageing is a two-fold problem: the crisis of our artists ageing into poverty, and the lack of sustainability in training and programs as a broader public ages creatively. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily ... and much, much more. Join Now and join the British arts community today Image: Shutterstock.com Member login Email address Password Forgot password? About the author Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years. She is based in Mittagong, regional NSW, and you can follow her on Twitter @ginafairley and Instagram at fairleygina.