Why John Mawurndjul’s barks are so contemporary Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Code, print and bang! How code is impacting design (locked) From 3D printed guns to fashion accessories and kids playing blocks, HELLO WORLD is an exhibition that looks at the impact of code on contemporary design. New York arts exec to head up Create NSW as CEO (locked) Elizabeth W. Scott has been named Executive Director, Create NSW, heading up the State’s peak arts and screen organisation. Rhana Devenport appointed as new Director Art Gallery of SA (locked) Devenport brings international perspective to Adelaide, and is the first female director in the gallery's history. On this Nelson Mandela Day, Melbourne Museum announces landmark show (locked) In a world premiere, the exhibition ‘Mandela My Life’ will bring Mandela's rich legacy to life through rare objects and archives. (Premium content) Premium content Gina Fairley Wednesday 11 July, 2018 A major survey exhibition tracks a 40 year career, and looks at how an artist has changed the perception of bark painting nationally and internationally. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily ... and much, much more. Join Now and join the British arts community today Member login Email address Password Forgot password? About the author Gina Fairley covers the Visual Arts nationally for ArtsHub. Based in Sydney you can follow her on Twitter @ginafairley and Instagram at fairleygina.