The exhibition revolution in China is much bigger than we think – and the battle against piracy may be a key reason.
The Monkey King, a rare fantasy, was the second most successful domestic film at the Chinese box office in 2014.
Two months ago, China Daily reported that Chinese box office rose by 36% in 2014, to US$4.76b. 54.5% of that ticket revenue was spent on domestic Chinese films.
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