Why we need strong women to lead risk-taking in the arts Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Sydney librarian discovers rare drawing by Renaissance artist (locked) Giorgione is one of the most enigmatic figures in Renaissance art, and yet a drawing of his has been discovered in a University of Sydney library book. On becoming: a conversation with transgender artist Cassils (locked) Perth Festival artist Cassils offers their read on gender stereotyping, cross-generational mentoring, how to use training as transformation and doing "all-nighters" for art. The Big List: what made an impact in the visual arts in 2018 2018 was big: big blockbusters, big lobbying, big cock-ups and big shifts at the top end for the visual arts. Angelica Mesiti’s multi-screen ASSEMBLY to show at Venice Biennale (locked) The Australia Council has revealed details of Angelica Mesiti’s project ASSEMBLY, to be presented at the 2019 Venice Biennale. (Premium content) Premium content Gina Fairley Monday 22 October, 2018 It's easy to talk about breaking glass ceilings and taking risks, but the National Gallery's Assistant Director Alison Wright shows us how it's done. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily ... and much, much more. Join Now and join the British arts community today Alison Wright; supplied Member login Email address Password Forgot password? About the author Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years. She is based in Mittagong, regional NSW, and you can follow her on Twitter @ginafairley and Instagram at fairleygina.