Why we need strong women to lead risk-taking in the arts Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Mitzevich finds the answers to lead the NGA in its DNA (locked) No new building, more digital content, a Mitzevich collection rehang and a year of blockbusters; all part of the vision to turn the National Gallery around for 21st century engagement. Banksy and the tradition of destroying art (locked) The British street artist has joined a tradition of visual artists, including Marcel Duchamp and Francis Picabia, whose work critiques the very art world of which they were part. ICYMI: this week’s arts news round up (locked) From a new art market platform to a commission to mark the national apology to Child Sexual Abuse, ArtsHub recaps the week's arts news. Art lessons from William Kentridge (locked) William Kentridge shared wisdoms of life in the studio – including embracing stupidity, bastardry and saying no – during his recent visit to Sydney for his AGNSW exhibition. (Premium content) Premium content Gina Fairley Monday 22 October, 2018 It's easy to talk about breaking glass ceilings and taking risks, but the National Gallery's Assistant Director Alison Wright shows us how it's done. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily ... and much, much more. Join Now and join the British arts community today Alison Wright; supplied Member login Email address Password Forgot password? About the author Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years. She is based in Mittagong, regional NSW, and you can follow her on Twitter @ginafairley and Instagram at fairleygina.