Five grounding techniques to cultivate resilient ensembles Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: Pastoral Fables – works for cor anglais and piano, ABC Classics Two esteemed Australian musician colleagues collaborate in a unique project. Review: William Tell by Victorian Opera, Palais Theatre Victorian Opera has gone where other Australian companies fear to tread, and emerged all the better for it. Barcelona based architect reveals 2018 MPavilion commission (locked) Using an origami form that is intended to connect the city and community through a nexus of design, MPavilion is inviting submissions to join Carme Pinós’ vision. Price first, design later - how the arts can learn from IKEA (locked) Setting the price point for an arts event can often be the death of it. IKEA demonstrate how flipping the model might guarantee greater success. But does this realistically translate to the arts context? (Premium content) Premium content Molly W. Schenck Monday 9 April, 2018 When creating work that addresses our tumultuous social and political climate, it's important to have processes in place which protect actors from vicarious trauma. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily ... and much, much more. Join Now and join the British arts community today Member login Email address Password Forgot password? About the author Molly W. Schenck is an independent dance-theatre artist and the founding artistic director of Grey Box Collective (GBC). As an independent (and introverted) artist, she takes time to create solo-performances where she can investigate new forms of technologies, tools and expression. When directing for Grey Box Collective, she creates space for dialogue around difficult conversations utilizing a semi-devised approach to dance-theatre for social change. For the past ten years she has focused her creative efforts in staging sexual assault prevention. Additionally, she has performed with Orange Theatre Group, Conder/Dance Breaking Ground Series, Mesa Arts Center, and nue[BOX]. She has earned an MFA in Dance from Arizona State University, and a M. Ed. in Higher Education and a BA in Theatre from the University of Maine. Outside of the arts, she is a yoga instructor, personal trainer, and health and wellness educator. Learn more at www.mollywschenck.com.