Key qualities of successful philanthropy managers Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Harry Potter and the Goblet of Fire in Concert, Adelaide Symphony Orchestra (SA) This ‘CineConcert’ brings together superb filmmaking, a brilliant score, and the orchestra displaying their versatility. St Matthew Passion, Brisbane Festival (QLD) It may be Bach heard through different languages, instruments and times but the glory still resonates. Shadows/Champions of Dance, Dublin Fringe Festival (Ireland) Dublin Fringe continues with Derek Byrne’s debut play based on a real-life encounter at a cruising spot, and a madcap, high-energy performance from Lords of Strut. On being an ally for diversity Being an ally means being prepared to do the difficult work towards structural change. (Premium content) Premium content Jennifer Radbourne & Kenneth Watkins Thursday 1 October, 2015 The ability to manage donors and elicit generous contributions is among the sought-after skills in arts management. The Philanthropy Director who has raised $80 m for Australian Ballet shares what you need. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily ... and much, much more. Join Now and join the British arts community today Kevin Jackson and Lana Jones in David McAllister's The Sleeping Beauty Photo: Jeff Busby Member login Email address Password Forgot password? About the author Jennifer Radbourne is an academic whose carer has encompassed both research and practice in arts management, arts governance and arts marketing. Kenneth Watkins has spent 21 years leading fundraising and philanthropy at The Australian Ballet, where he has raised $80 million.