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Showing all Festivals news in Features
Advice from business leaders on asking governments for money, embedding culture in the political agenda, and getting the language right when you come to the table.
Setting the price point for an arts event can often be the death of it. IKEA demonstrate how flipping the model might guarantee greater success. But does this realistically translate to the arts context?
The importance of queer allies in LGBTIQ documentary narratives are being recognised at this year's Melbourne Queer Film Festival and Mardi Gras Film Festival.
As the number of arts festivals across Australia mushroom, is it time to consider the point of such cultural clustering?
The Man Booker-winning author cited the leaked Nauru files as an answer to why writing matters.
Canberra’s Segue Festival aims to strengthen cultural ties between Europe and Australia, providing benefits for artists and audiences alike.
Fringe Festivals have powerful positive economic impacts for cities but not so often so the performers who make them.
Despite more than 500 studies, reviewers say better research is needed to convince policy-makers that strong arts activity generates happier, healthier and wealthier societies.
Understanding Culture Segments can help galleries and arts organisations identify, engage, attract and keep audiences coming through their doors.
When the destination is only a computer screen, how do you use an online festival to network and advance your writing career?
The Artissima contemporary art fair is set apart by its orientation around appreciating the art.
From live performances to a salt-of-the-earth recreation of a supermarket, this year’s Melbourne Art Fair has surprises galore. And this year we're blogging live from the Vernissage!
Perth International Arts Festival’s Jonathan Holloway gave delegates at the recent APACA conference a frank insight into arts festivals with his controversial comment that they can be seen as 'fundamentally unjustifiable'.
The recent Remix conference explored how technology and entrepreneurship are remaking culture in the information age.
Australians are used to thinking of New Zealand as a place to ski or hike but for arts lovers NZ is a becoming a desirable place to soak up spectacle or discover new art.
On the 27th January 2012, Danny Boyle, the Artistic Director of the Opening Ceremony for the London 2012 Olympic Games, celebrated the six month count down to the Olympic Games by revealing that the occasion has been inspired by the monologue, Isles of Wonder, delivered by Caliban in William Shakespeare’s The Tempest.
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