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Showing all Professional Development news in Features
Regularly travelling as part of your arts practice can quickly become hard work, so we spoke to artists and writers who do it regularly to see how they maintain their mental health on the road.
Women in theatre are warned not to have children because motherhood will derail their careers, but in the US, a new movement is seeing parent artists advocating for change.
With any new idea, creative direction, or career path, there are common blocks that stand in our way. Madeleine Dore shares tips on overcoming procrastination, self-doubt and distraction to get started.
Does alcohol lubricate our creativity or stifle our best work? Creatives weigh in on how sober stints have impacted their creative process and offer advice for rethinking your relationship with alcohol.
Research shows that when employees can’t concentrate, they tend to communicate less. They may even become indifferent to their coworkers.
Sponsorships are not philanthropic donations – they are business investments from which companies want a return. We ask major sponsors what's in the deal for them.
Working on the festival circuit is like a fairground ride: fast paced and exhilarating, but also exhausting and hard to jump off.
Some artists are inspired by pushing their practice – and themselves – to the edge. We take a look at the experience of the extreme residency.
In this extract from the latest Platform Paper, Polyglot Artistic Director/co-CEO Sue Giles reflects on the ways that listening to and working with young people might help adults shift their thinking.
To change or keep as is? A director, a playwright, a live artist and a choreographer reflect on revisiting and remaking existing works.
What is intrapreneurship and how is it affecting the future of work? A panel of experts explores how organisations can change themselves from the inside out.
Strategies for disarming sexism for people working in the arts and cultural sector.
The arts can be difficult to navigate at the best of times, but what if your particular challenges are invisible? Here's how the sector can pay attention, remove the stigma and better support individuals.
Back to Back Theatre's Alice Nash on the ingredients needed to make great work, and the value of such work for a civil society.
For Anna Davis curating is a kind of laboratory where you can test out ideas and discover new things. Having a background as an artist helps.
Working in an organisation going through a restructure or redevelopment can be a boon or a bust for your career.
Looking after yourself is an important part of maintaining creative energy
Artists aren’t the problem when it comes to self-care; it’s the culture we work in which damages people. It’s time to change that.
We learn by failing, but rarely talk about it. Here, artists and arts workers from diverse sectors reflect on what their mistakes have taught them.
Young workers expect older colleagues to get out of the way, freeing up jobs and ceding key cultural spaces.
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