Gina Fairley

Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina

Gina's Latest Articles

News

Australians wrap up top awards in Singapore

Of the six awards offered by Asia newest contemporary art prize, Australian artists scooped four.

News

Major New Zealand collection goes up in flames

A house fire destroys the collection of one of New Zealand's most renowned art patrons.

News

Trace: documenting performance art

Renewed interest in performance art, its documentation and how it is collected has emerged with changes in media technology.

News

Museums where the building is the brand

These museums are not only architecture-led tourist destinations, they have changed the way we look at art.

News

Coldplay singer buys Banksy’s Brooklyn Heart

Banksy’s Balloon goes under the hammer to Chris Martin at Hollywood fundraiser for Haiti earthquake.

Features

Biennale Watch for 2014

Are you one of those people who like to plan their holidays around a biennale or international art fair -…

News

Register now: visual arts conferences in 2014

Get ahead of the game in 2014, and join the world's leading cultural thinkers at a conference this year. Here…

News

Sneak preview: Five new museums worth visiting in 2014

New museums in 2014 will house collections by great philanthropists in imaginative buildings sure to draw tourism.

Opinions & Analysis

Visual arts: the big guns of 2014

Japanese art, fashion and design, Afghani and Italian masters – it's a cornucopia of art events that brace the 2014…

Features

Museum architecture: receptacle or spectacle?

Has museum display become subservient to the sculptural branding of architects or should the architecture be a neutral backdrop?

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