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A portrait of him won the Archibald Prize in 1966, a Melbourne hotel was named after him, and he even wrote a manifesto that shaped Australian art history. Blackman’s legacy is great.
Elizabeth W. Scott has been named Executive Director, Create NSW, heading up the State’s peak arts and screen organisation.
Devenport brings international perspective to Adelaide, and is the first female director in the gallery's history.
In a world premiere, the exhibition ‘Mandela My Life’ will bring Mandela's rich legacy to life through rare objects and archives.
Using an origami form that is intended to connect the city and community through a nexus of design, MPavilion is inviting submissions to join Carme Pinós’ vision.
The NSW Regional Cultural Fund has committed $8.592 million to Bundanon Trust, and the future development of Arthur Boyd’s Riversdale property.
The people-pleasing dot installations of Japanese artists Yayoi Yusama are sure to drive crowds to Canberra, thanks to a major new acquisition.
British textile artist Jess de Wahls will travel to the Blue Mountains in June to present her exhibition Big Swinging Ovaries.
With artists owed $200,000 following the collapse of independent event management company, JumpClimb, Fringe World is taking action to assist.
A multi-sensory living installation displaying endangered Indigenous Australian grassland species will interrogate architecture’s responsibility to environmental rehabilitation.
After a prolonged battle with cancer, photographer Polixeni Papapetrou has died at 57.
The son of a Hunter Valley farmer will lead Australia's top visual arts institution into its future. Who is Nick Mitzevich and how healthy is the NGA, which he now steers?
APY Art Collective opens a gallery in the heart of Sydney as part of a vision for best representation and best practice.
In the first such case to head to the Federal Court, the ACCC targets misleading products on the tourist market manufactured by Indonesian company Birubi Art.
A new application process for the Venice Biennale results in a sound outcome for Australia's representative at this major art world event.
Melbourne’s newest gallery offers a bridge between a curious collector, an engaged public, and a new generation of artists.
Research shows that when employees can’t concentrate, they tend to communicate less. They may even become indifferent to their coworkers.
The strong emotional connections and resonances of literature can happen at any time.
Is the increased focus on performers' sex appeal a tacit acknowledgement that classical music can no longer connect with society on its own terms?
Craft practices are being looked to as something of an antidote to the stresses and pressures of modern living.
From 3D printed guns to fashion accessories and kids playing blocks, HELLO WORLD is an exhibition that looks at the impact of code on contemporary design.
The annual Australian invasion of Edinburgh is about to begin. What attracts them in such numbers? And with over 130 Australian shows to choose from, which should you see?
Artists do their best work when they feel confident to play, when they feel they are not being judged, when they are spoken to with respect.
The leadership of any organisation in sport, the arts or the corporate world must have a clear understanding of its values and standards, and be able to react to a breach straight away.
Artist Vernon Ah Kee believes there is an endemic problem that sits core to our galleries and the way we talk about Aboriginal art, which can only be solved by empowering black voices.
If #MeToo has taught us anything, it’s that telling better women’s stories hasn’t really changed the lived experience of women, because it hasn’t really changed men.
With the recent release of two feature films about Australian artists, we take a look at the hidden agendas and the broader context.
In times of challenge, organisations in different sectors can teach the arts valuable lessons about streamlining and sticking with what we're good at.
More Opinions and Analysis
Hannaford excels as Carole King. She’s energised, mournful, ecstatic, introverted, forgiving and gutsy.
Elbow Room's Prehistoric is a stand-out piece of theatre.
MTC’s revival brings a robust render to the narrative of unavoidable corruption in a money-made society.
Two esteemed Australian musician colleagues collaborate in a unique project.
Victorian Opera has gone where other Australian companies fear to tread, and emerged all the better for it.
Daniel Buren uses steroid-sized children's building blocks to speak about our relationship with the world.
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