News, analysis and comment - performing arts |
Across the UK many towns and cities have witnessed an influx of people who clearly have few historical ties with the local region. These people are legal residents. They are officially labelled asylum seekers or refugees.
They might dress differently, speak other languages, and their English could be heavily accented. But despite British National Party claims that they are rorting the system, asylum seekers do not live a life of luxury.
The most likely place to find asylum seekers is on a council estate. Although regardless of where they end up refugees are easy targets for anyone motivated by intolerance, xenophobia, or with a chip on their shoulder.
For these reasons and more, iceandfire theatre company is using performance art to put a spotlight on the stories told by displaced people now living in the UK.
iceandfire has a solid reputation for putting on productions that deal with issues of displacement and conflict. The company has close ties with Amnesty International UK and officially came into being on 27 January 2003. This date is commemorated worldwide as Holocaust Day. It is especially symbolic for iceandfire given that founder and writer/director Sonja Linden's family were Jewish and German refugees.
In telling the stories of UK asylum seekers iceandfire has teamed up with Australian theatre group Actors for Refugees (AFR). Since 2001 AfR has been using “the collective might of Australian actors to influence community attitudes toward refugees and asylum seekers and to encourage a humanitarian response to their plight.”
AfR Coordinator, Chistine Bacon, has been working closely with iceandfire to develop the UK series of performances.
“What we aim to do as actors, is the exact opposite of what the tabloid press and the government are doing,” she explains, “We want to present asylum seekers and refugees as human beings, rather than statistics or case studies.”
Bacon says that as skilled communicators, actors are uniquely able to “give faces and voices to those who have been denied these things.” Being involved with the Monologues is a process of awakening for both cast members and audiences.
“Most actors who read in one performance are keen to do more, as they can see that our methods simply work. They talk to audience members afterwards who tell them how much their eyes have been opened, and how little they knew - as there are so few truthful accounts of the [asylum] system in the public domain. The words most often used by audience members are 'shocking' and 'deeply moving',” she says.
According to Bacon most people who come to the shows know little or nothing about the asylum system. But once exposed to the realities of refugees entering the UK, many audience members are deeply affected.
“Our work has a real capacity to mobilise people, especially in smaller cities and towns,” says Bacon, “We recently performed Asylum Monologues in Middlesbrough and over 250 people people came, which our collaborating partners assured us never happens in that town.
“After the show, many members of the audience were moved to take action and signed up to local campaigns and actions, including a public protest which attracted hundreds of people, which we have been told was largely because of the effect of our work. It does change people's perspectives and it does propel them into action,” she says.
Part of the reason the Asylum Monologues are so hard-hitting is that the stories are in the words of refugees themselves.
“We never change or fictionalise people's words,” says Bacon. All of the stories told in the Monologues are sourced from interviews conducted by AfR or drawn from existing testimonies collated in research by other organisations.
This gives the Monologues a sense of realness it would be impossible to replicate through a work of fiction.
Iceandfire aim to perform wherever possible across the length and breadth of the UK. Details of upcoming performances, including a tour of ten cities scheduled for June, are available here.
Craig Scutt is a freelance author, journalist, and writer.
E: craig@craigscutt.comPlease sign in or Join ArtsHub to gain access
ArtsHub (United Kingdom) 30 Jul 2010
One day you wake up, and instead of a hangover, you have a job. Instead of a fling, you have a ...
ArtsHub (United Kingdom) 30 Jul 2010
The Edinburgh Fringe Festival 2010 will be hit by a revolution in theatre ticketing and marketing ...
ArtsHub (United Kingdom) 30 Jul 2010
Shape has been announced as one of the UK volunteering groups to win The Queen’s Award for ...
David Trennery (United Kingdom) 27 Jul 2010
FINBOROUGH THEATRE: 'Lingua Franca', Peter Nichols’ play at the Finborough theatre until 7th ...
David Trennery (United Kingdom) 27 Jul 2010
SHAKESPEARE'S GLOBE: The Henry IV plays are not really about the eponymous King. They explore the ...
ArtsHub (United Kingdom) 21 Jul 2010
FOSTER’S EDINBURGH COMEDY GOD: To celebrate the breadth of phenomenal talent the Foster’s ...
ArtsHub (United Kingdom) 21 Jul 2010
LIVERPOOL PRIDE: Liverpool Pride have announced exciting details for the second day of ...
ArtsHub (United Kingdom) 15 Jul 2010
NATIONAL CAMPAIGN FOR THE ARTS: When Lord Clement-Jones introduced his Live Music Bill in the ...
ArtsHub (United Kingdom) 14 Jul 2010
LIVERPOOL PRIDE:Hold on to your guitars and get ready to tap those tambourines! Organisers of ...
ArtsHub (Australia) 13 Jul 2010
ROMANIA: With compelling vocals moving dexterously from soft and seductive to ballsy and ...
ArtsHub (United Kingdom) 7 Jul 2010
SELL A DOOR THEATRE COMPANY: Rosemary Branch Theatre as part of the first London Festival Fringe, ...
David Trennery (United Kingdom) 2 Jul 2010
Morte d’Arthur tells of the sword in the stone, the consolidation of Arthur’s positon as King of ...
David Trennery (United Kingdom) 1 Jul 2010
SHAKESPEARE: Caught between desire and duty Antony and Cleopatra's affair shook the foundations ...
ArtsHub (United Kingdom) 30 Jun 2010
PRS FOR MUSIC FOUNDATION: The PRS for Music Foundation has launched a public vote for the ...
ArtsHub (United Kingdom) 30 Jun 2010
MANCHESTER CITY COUNCIL: At least 75,000 people lined the streets of Manchester to watch a ...
ArtsHub (United Kingdom) 30 Jun 2010
ARTS & BUSINESS: Colin Tweedy, Chief Executive of Arts & Business, responds to the announcement ...
ArtsHub (United Kingdom) 17 Jun 2010
CISAC: The International Confederation of Societies of Authors and Composers, representing has ...
ArtsHub (Not Selected) 17 Jun 2010
SCOTTISH ARTS COUNCIL: International music producers Serious will manage Air Time: Jazz CPD ...
Sarah Adams (Australia) 16 Jun 2010
LIVE! SINGAPORE: ArtsHub chats to Paul Hughes, General Manager of the BBC Symphony Orchestra.
David Trennery (United Kingdom) 15 Jun 2010
TIM SHEADER'S OPEN AIR THEATRE: Arthur Miller’s classic is so engrained into the collective ...