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Showing all news in Opinions & Analysis
If #MeToo has taught us anything, it’s that telling better women’s stories hasn’t really changed the lived experience of women, because it hasn’t really changed men.
Opinions & Analysis
With the recent release of two feature films about Australian artists, we take a look at the hidden agendas and the broader context.
In times of challenge, organisations in different sectors can teach the arts valuable lessons about streamlining and sticking with what we're good at.
A world in which dealers would take a 70% commission on an artist's work is a world beholden to the false images of marketing.
Independent artists need independent producers; they also need to reconsider some of the negative stereotypes they have about the producer's role.
This week the first ever awards to celebrate the rural touring sector in the UK will take place in Nottingham.
A new wave of survey exhibitions indicates renewed interest in looking back over artists' careers. Australian curators discuss this trend.
Battle of the Blockbusters: We take a look at how our blockbuster diet has changed as two diametrically opposed exhibitions both promise big numbers.
Its agenda is laudable – to give more space to Australian artists at our majors – but does it fall down when a stronger lens is put to The National?
The number crunch on artists representing Australia at the Venice Biennale shows two prominent galleries greatly dominate selection.
Are we past the gender pigeonhole? Women artists are divided as to whether the adjective is helping or hindering their careers.
Once more unto the breeches: a feminist mounts a defence of romance fiction, renovated for the 21st century.
The assumptions that makes amateur theatre an old joke are really a power play that creates a fall guy for culturally privileged professionals.
We need to rethink our physical spaces to create meaningful live experiences for the constantly connected generation.
The Trump administration's proposal to remove US arts funding is the battle cry for another round of culture wars, familiar to the Australian and UK arts industries.
Trump’s opponents see his lavish taste as evidence of despotic tendencies but perhaps like Louis XIV he will use luxury to support a national economy.
In 2016, the most commercially successful music in the world wasn’t Beyoncé, Britney or Bieber. It was arguably more problematic.
Perhaps you’re not ready to have the intersectionality conversation with your Trump-supporting uncle. But you could share a theatre that bridges the gap.
As technology improves the quality of reproduction, the old values are being newly debated.
Enlightened universities are now embedding the principles of design and creativity into their business schools, as businesses recognise the value of arts education.
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