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Showing all Trends & Analysis news
They used to be quiet spaces; now they are the quiet achievers. We can all learn from libraries' successes in recalibrating for 21st century audiences.
Tired of big budget, big tech talk when it comes to innovation? Then start with old fashioned talking: it's proving the best cut-through for future-proofing organisations.
The Culture Cycle is a new series that asks whether Australia’s arts and cultural sector looks like Australia.
We look back over the most-read stories of the year and ask what they say about the zeitgeist across the creative sector.
What is intrapreneurship and how is it affecting the future of work? A panel of experts explores how organisations can change themselves from the inside out.
Is there something in the nature of the performing arts industry which creates conditions conducive to exploitation?
Within a matter of months, two major research studies have been released on cultural participation. How different are they, and is Australia ahead of the States?
With the recent release of two feature films about Australian artists, we take a look at the hidden agendas and the broader context.
Opinions & Analysis
Mental health and wellbeing in the arts have gained traction as topics for discussion, but is action being taken as seriously as the conversation?
As thrilling as they are for audiences, Australia’s musical theatre scene is dominated by productions honed on the West End and Broadway.
Always at the fore of cultural change, Gene Sherman reinvents her arts foundation, this time with a focus on nurturing creative thinking and ideas.
A NSW academic has received $3.2 million to harness immersive visualisation technology and pioneer a new approach to the study of subjective experience.
Working in an organisation going through a restructure or redevelopment can be a boon or a bust for your career.
Looking after yourself is an important part of maintaining creative energy
In order to say yes to the good stuff, you’ve got to learn to say no.
Engaging people in social and political issues requires not just looking at art but participating in creating.
Trump’s opponents see his lavish taste as evidence of despotic tendencies but perhaps like Louis XIV he will use luxury to support a national economy.
Some words just got overdone in 2016. It's time to let these overused terms lie fallow for a while, in the hope they may regain some punch.
President Trump is not the outcome of voters' dispassionate assessment of self-interest. The arts and humanities teach us that is not how people work.
In a world where you can be simultaneously on a suburban bus and at a concert half a world away, art needs to rethink the meaning of live.
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