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Showing all Digital news
Tired of big budget, big tech talk when it comes to innovation? Then start with old fashioned talking: it's proving the best cut-through for future-proofing organisations.
The Culture Cycle is a new series that asks whether Australia’s arts and cultural sector looks like Australia.
Within a matter of months, two major research studies have been released on cultural participation. How different are they, and is Australia ahead of the States?
Mental health and wellbeing in the arts have gained traction as topics for discussion, but is action being taken as seriously as the conversation?
In the arts, retirement is often not an option.
Lynette Wallworth's most recent VR experiment breaks new ground, is screened at key world political events.
Publishers and film sets are ramping up security as it becomes harder to avoid spoilers.
Many artists find a baby a hindrance to creative life but child-friendly residency programs help parents continue their creative careers.
Digital media now dictates a child's initial experience of literature, art and - most worryingly - often creative discovery.
From solo wordless adventure stories to story-heavy adventures created by a team, gaming writing requires a unique set of skills
VIDEO: We all need a little inspiration. Inspire60, ArtsHub's new video series brings you a regular 60 seconds of inspiration from extraordinary creative people.
Bits & Blogs
It’s the Holy Grail for marketers: understanding what makes a video ad go viral. But exactly what motivates a person to tell others about a video?
Asking for copyright for photographs you paid for sounds like a savvy move but it may not provide value for money.
Opinions & Analysis
Technology is giving audiences back their voice, prompting some theatre companies to embrace their digital critics.
How did an event cinema company called CinemaLive ride the death of lantern slides in cinemas into an operation in two countries and seventy territories? It is a long, tangled and inventive tale.
Digital disruption is putting audiences in the habit of getting what they want - and having a say in how it is made.
Tap into arts-focused online platforms to access materials, administrative support, spaces and customers in a dynamic global economy.
Research on sportspeople shows the power of this technique. It can be applied just as effectively to building an arts career.
Were any arts funding bodies or philanthropists brave enough to implement these suggestions from the US they might come close to getting what they actually want.
New research and a new lobby group in the screen sector rewrites the playbook on the approach to piracy.
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