The 70/30 split versus truly valuing an artist’s work Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles International art project raises the bar on Instagram 52 ARTISTS 52 ACTIONS is a year-long art project that uses Instagram to talk about current political and social issues, replacing fake news with art that speaks truths. Incubating ideas needs more than a hip share office Tired of big budget, big tech talk when it comes to innovation? Then start with old fashioned talking: it's proving the best cut-through for future-proofing organisations. New podcast challenges cultural whitewashing The Culture Cycle is a new series that asks whether Australia’s arts and cultural sector looks like Australia. Spray gun philosophy: Katharina Grosse on painting (locked) A new installation at Carriageworks is the next chapter in Grosse’s somewhat unorthodox journey with painting. What drives her and what does she value? (Premium content) Premium content Joe Frost Monday 21 August, 2017 A world in which dealers would take a 70% commission on an artist's work is a world beholden to the false images of marketing. This content is only available to members of ArtsHub Subscribe Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of subscriber-only features, articles and guides Be in the know with upcoming events and exhibitions added daily ... and much, much more. Subscribe Now and join the British arts community today Member login Email address Password Forgot password? About the author Joe Frost is an artist represented by Watters Gallery, Sydney. He is a Lecturer in Drawing at the National Art School and has written over thirty articles, catalogue essays and exhibition reviews for various publications including Artist Profile, The Australian Financial Review, Art and Australia and Art Monthly.