Theatre, trauma and the age of Trump Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Bruckner Symphony No 3/Gewandhausorchester/Andris Nelsons A moving and respectful account of a problematic work. The entrepreneurial value of wild ideas Back to Back Theatre's Alice Nash on the ingredients needed to make great work, and the value of such work for a civil society. Career Spotlight: General Manager Do you have a head for grant writing and acquittals, budgeting for a not-for-profit, overseeing day to day operations and more? A GM’s role could be for you. What the arts industry can learn from Lego (locked) In times of challenge, organisations in different sectors can teach the arts valuable lessons about streamlining and sticking with what we're good at. (Premium content) Premium content Emily White Friday 20 January, 2017 Perhaps you’re not ready to have the intersectionality conversation with your Trump-supporting uncle. But you could share a theatre that bridges the gap. This content is only available to members of ArtsHub Subscribe Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of subscriber-only features, articles and guides Be in the know with upcoming events and exhibitions added daily ... and much, much more. Subscribe Now and join the British arts community today Member login Email address Password Forgot password? About the author Emily White holds a BA in Theatre Studies: Acting and Dramaturgy from Emerson College. She resides in Boston, MA, where she works as an actor and dramaturg.