Five grounding techniques to cultivate resilient ensembles Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles How to handle criticism and naysayers For any artist, the sting of criticism is inevitable. Here’s how to distinguish when it’s useful, how to handle it, and when to ignore it. A beginner’s guide to the foggy wilderness of ambient music Brian Eno’s 'Music For Airports' celebrates its 40th anniversary this month. To celebrate, we explore the ambient genre. Social practice: embedding art in community (Premium locked content) Looking back over 12 years of social practice in Sydney’s West, Curator Anne Loxley speaks to ArtsHub about how C3West has shaped new modes for cultural engagement and defined communities. No laughing matter: comedy in the wake of #MeToo (locked) The #MeToo movement has revealed the widespread extent of sexual harassment, and brought down comedy legends like Louis CK. What impact will it have on the comedy industry as a whole? (Premium content) Premium content Molly W. Schenck Monday 9 April, 2018 When creating work that addresses our tumultuous social and political climate, it's important to have processes in place which protect actors from vicarious trauma. This content is only available to members of ArtsHub Subscribe Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of subscriber-only features, articles and guides Be in the know with upcoming events and exhibitions added daily ... and much, much more. Subscribe Now and join the British arts community today Member login Email address Password Forgot password? About the author Molly W. Schenck is an independent dance-theatre artist and the founding artistic director of Grey Box Collective (GBC). As an independent (and introverted) artist, she takes time to create solo-performances where she can investigate new forms of technologies, tools and expression. When directing for Grey Box Collective, she creates space for dialogue around difficult conversations utilizing a semi-devised approach to dance-theatre for social change. For the past ten years she has focused her creative efforts in staging sexual assault prevention. Additionally, she has performed with Orange Theatre Group, Conder/Dance Breaking Ground Series, Mesa Arts Center, and nue[BOX]. She has earned an MFA in Dance from Arizona State University, and a M. Ed. in Higher Education and a BA in Theatre from the University of Maine. Outside of the arts, she is a yoga instructor, personal trainer, and health and wellness educator. Learn more at www.mollywschenck.com.